PopHistory

15.2.2016
Zum 58. Mal wird im Staples Center von Los Angeles mit dem Grammy der wichtigste US-amerikanische Musikpreis vergeben. Die Verleihung findet in insgesamt 83 Kategorien statt.

Die Preisträger:

„Uptown Funk“ von Mark Ronson Feat. Bruno Mars (Record Of The Year sowie Best Pop Duo/Group Performance), “1989” von Taylor Swift (Album Of The Year sowie Best Pop Vocal Album), “Thinking Out Loud” von Ed Sheeran (Song Of The Year sowie Best Pop Solo Performance), Meghan Trainor (Best New Artist), “The Silver Lining: The Songs Of Jerome Kern” von Tony Bennett & Bill Charlap (Best Traditional Pop Vocal Album), “Where Are Ü Now” von Skrillex And Diplo With Justin Bieber (Best Dance Recording), “Skrillex And Diplo Present Jack Ü” von Skrillex And Diplo (Best Dance/Electronic Album), “Sylva” von Snarky Puppy & Metropole Orkest (Best Contemporary Instrumental Album), “Don`t Wanna Fight” von Alabama Shakes (Best Rock Performance sowie Best Rock Song), “Cirice” von Ghost (Best Metal Performance), “Drones” von Muse (Best Rock Album), “Sound & Color” von Alabama Shakes (Best Alternative Music Album), “Earned It (Fifty Shades Of Grey)” von The Weeknd (Best R&B Performance), “Little Ghetto Boy” von Lalah Hathaway (Best Traditional R&B Performance), “Really Love” von D'Angelo & Kendra Foster (Best R&B Song), “Beauty Behind The Madness” von The Weeknd (Best Urban Contemporary Album), “Black Messiah” von D'Angelo And The Vanguard (Best R&B Album), “Alright” von Kendrick Lamar (Best Rap Performance sowie Best Rap Song), “These Walls” von Kendrick Lamar Featuring Bilal, Anna Wise & Thundercat (Best Rap/Sung Collaboration), “To Pimp A Butterfly” von Kendrick Lamar (Best Rap Album), “Traveller” von Chris Stapleton (Best Country Solo Performance sowie Best Country Album), “Girl Crush” von Little Big Town (Best Country Duo/Group Performance sowie Best Country Song),  “Grace” von Paul Avgerinos (Best New Age Album), “Cherokee” von Christian McBride (Best Improvised Jazz Solo), “For One To Love” von Cécile McLorin Salvant (Best Jazz Vocal Album), “Past Present” von John Scofield (Best Jazz Instrumental Album), “The Thompson Fields” vom Maria Schneider Orchestra (Best Large Jazz Ensemble Album), “Made In Brazil” von Eliane Elias (Best Latin Jazz Album), “Wanna Be Happy?” von Kirk Franklin (Best Gospel Performance/Song), “Holy Spirit” von Francesca Battistelli (Best Contemporary Christian Music Performance/Song), “Covered: Alive In Asia (Live)” von Israel & NewBreed (Best Gospel Album), “This Is Not A Test” von Tobymac (Best Contemporary Christian Music Album), “Still Rockin` My Soul” von The Fairfield Four (Best Roots Gospel Album), “A Quien Quiera Esuchar (Deluxe Edition)” von Ricky Martin (Best Latin Pop Album), “Hasta La Raíz” von Natalia Lafourcade sowie “Dale” von Pitbull (Best Latin Rock, Urban or Alternative Album), “Realidades (Deluxe Edition) von Los Tigres Del Norte (Best Regional Mexican Music Album - Including Tejano), “Son De Panamá” von Rubén Blades With Roberto Delgado & Orchestra (Best Tropical Latin Album), “See That My Grave Is Kept Clean” von Mavis Staples (Best American Roots Performance), “24 Frames” von Jason Isbell (Best American Roots Song), “Something More Than Free” von Jason Isbell (Best Americana Album), “The Muscle Shoals Recordings” von The Steeldrivers (Best Bluegrass Album), “Born To Play Guitar” von Buddy Guy (Best Blues Album), “Béla Fleck And Abigail Washburn” von Béla Fleck & Abigail Washburn (Best Folk Album), “Go Go Juice” von Jon Cleary (Best Regional Roots Music Album), “Strictly Roots” von Morgan Heritage (Best Reggae Album), “Sings” von Angelique Kidjo (Best World Music Album), “Home” von Tim Kubart (Best Children's Album), “A Full Life: Reflections At Ninety” von Jimmy Carter (Best Spoken Word Album - Includes Poetry, Audio Books & Storytelling), “Live At Madison Square Garden” von Louis C.K. (Best Comedy Album), “Hamilton” (Best Musical Theater Album), “Glen Campbell: I`ll Be Me” (Best Compilation Soundtrack For Visual Media), “Birdman” (Best Score Soundtrack For Visual Media), “Glory” von Lonnie Lynn, Che Smith & John Stephens (Best Song Written For Visual Media), “The Afro Latin Jazz Suite” von Arturo O`Farrill (Best Instrumental Composition), “Dance Of The Sugar Plum Fairy” von Ben Bram, Mitch Grassi, Scott Hoying, Avi Kaplan, Kirstin Maldonado & Kevin Olusola (Best Arrangement, Instrumental or A Cappella), “Sue (Or In A Season Of Crime)” von Maria Schneider (Best Arrangement, Instruments and Vocals), “Still The King: Celebrating The Music Of Bob Wills And His Texas Playboys” von Sarah Dodds, Shauna Dodds & Dick Reeves (Best Recording Package), “The Rise & Fall Of Paramount Records, Volume Two (1928-32)” von Susan Archie, Dean Blackwood & Jack White (Best Boxed Or Special Limited Edition Package), “Love Has Many Faces: A Quartet, A Ballet, Waiting To Be Danced” von Joni Mitchell (Best Album Notes), “The Basement Tapes Complete: The Bootleg Series Vol. 11” von Bob Dylan & The Band (Best Historical Album), “Sound & Color” von Shawn Everett (Best Engineered Album, Non-Classical), Jeff Bhasker (Producer Of The Year, Non-Classical), Dave Audé für “Uptown Funk (Dave Audé Remix) (Best Remixed Recording, Non-Classical), James Guthrie für “Amused To Death” (Best Surround Sound Album), “Ask Your Mama” von Leslie Ann Jones, John Kilgore, Nora Kroll-Rosenbaum & Justin Merrill (Best Engineered Album, Classical), Judith Sherman (Producer Of The Year, Classical), Andris Nelsons für “Shostakovich: Under Stalin's Shadow - Symphony No. 10” (Best Orchestral Performance), Seiji Ozawa für “Ravel: L'Enfant Et Les Sortilèges; Shéhérazade” (Best Opera Recording), Kansas City Chorale & Phoenix Chorale für “Rachmaninoff: All-Night Vigil” (Best Choral Performance), “Filament” von Eighth Blackbird (Best Chamber Music/Small Ensemble Performance), “Dutilleux: Violin Concerto, L'Arbre Des Songes” von Augustin Hadelich (Best Classical Instrumental Solo), “Joyce & Tony - Live From Wigmore Hall” von Joyce DiDonato und Antonio Pappano (Best Classical Solo Vocal Album), “Paulus: Three Places Of Enlightenment; Veil Of Tears & Grand Concerto” von Giancarlo Guerrero (Best Classical Compendium), “Paulus: Prayers & Remembrances” von Stephen Paulus (Best Contemporary Classical Composition), “Bad Blood” von Taylor Swift Feat. Kendrick Lamar (Best Music Video), „Amy“ (Best Music Film)


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